Old World Interiors Jeanette Yearly

Now and again, something comes along that takes your breath away. As in the world of interior design, there are styles for every taste, however, when you experience a home remodel or transformation that leaves you breathless, now that’s an impression you never forget.

I recently became the recipient of this experience when I was graciously invited to view a home in Olivenhain that underwent such a remodel. Before my visit, I spoke with the Interior Designer, who explained that the homeowner wanted something "different" other than the same  "Tuscan old world" motif that has dominated the design world. He and his partner had collected a bevy of beautiful antiques and collectibles from all over the world, but how would she, the Designer, merge such different styles and influences?

This posed a major challenge. The Designer had to find a way to incorporate both of their belongings into a blend that was unique and still somehow "worked". His style was minimalist, or "zen like" ; sparsely decorated with beautiful Eastern pieces from Thailand, India, Indonesia and other exotic locations. Her style was more 16th century Parisian Glam. The Designer explained that the only way to proceed would be to create a new style niche exemplifying the strong Asian-French influences; one she has since coined, "Old World Eurasian Glam". Now this, I couldn’t wait to see!

Upon entering the property, I felt like I had literally stepped into another century. The home itself had been remodeled from its original state; the ceilings had been vaulted then replaced with open rough hewn wooden beams, and most walls had been replaced using ancient rough hewn stone. This gave the space an ancient and ageless feeling. I was already feeling the "zen" vibe.

The designer explained how she felt compelled to transform the exterior as well as the interior to create a sense of cohesiveness that would pervade throughout the overall design and finished project. She accomplished this starting with the swooping slate covered steps at the threshold, a custom designed welcome sign, scrolled custom wrought iron gates, a color scheme for the flora and fauna and numerous fountains.

I was lead in back where a wrought iron door had been cleverly fit with a mirror. It was positioned at the end of a meandering pathway, so while one strolls towards it, there is the illusion that the path winds on forever. Multiple vines, including mandevilla, trumpet, jasmine and bouganvilla were met with Ivy and Wisteria that twined about the columns. An antique bird cage, angel sculptures and a miniature Eiffel Tower were a few treasures I noticed in the rose garden.

Once inside, I was hit with the luxury of old world influences. The Designer had successfully mixed beautiful Persian and Glam style area rugs throughout. Dramatic roll back accordion doors lead from the front grand room to and immediate outdoor area where a set of four antique hand carved chairs and matching love seat from Bali surround a raised Limestone gas firepit. Custom fabrics were used on the cushions and draperies that coordinated perfectly with the interior, making a seamless transition.

The main room’s true focal point was the huge limestone fireplace. I was told this was originally all white. The Designer was met with another challenge trying to get the owner to agree to having it faux finished. This was accomplished using a dark bronze toned marble. The surrounding walls were painted black on black (a mix of flat and high gloss), and then stenciled with huge damask patterns. The result was drama personified!

The enormous fireplace screen was custom duplicated by local artisans to look like the original antique version. The workmanship was unbelievable: hand forged wrought iron in a diamond grid pattern with champagne metallic scrolls, a center shell motif and backed with an antiqued mirror. I felt like luxury was literally dripping everywhere I walked, from the exquisite cut crystal enormous chandelier above to the 18th century carved Italian sofa and chairs that were reupholstered in rich black velvet velour and supple black leather. I couldn’t help but  admire the silver crackled finish with antique pewter nailhead detailing. It was all amazing to the eye, as well as the touch!

Other dramatic pieces included French barstools, silk draperies, Venetian dragons on the drapery hardware and various antiques. Unique artwork and spectacular lighting fixtures helped play a vital role in creating a truly inspiring space. The Designer used Ralph Lauren metallic paints on the walls to recreate the look of aged, antique pewter. In the master bedroom, the same faux effect was used (a RL Venetian Red that resembled old leather). Another local artisan added faux "cracks" in the walls using a fine paint brush and rags. To hear about the finer details, not to mention time and effort put in gave me a greater appreciation of both design, Designer and the artists involved in such an undertaking.

The antique parlor is a room you won’t find in most modern homes, yet this was transformed into the most vital and unique boudoire, and I think, speaks to the old world charm this house exudes. The Designer took full advantage by reinventing it with tiger striped chenille and caramel colored leather furniture with bronze nail heads. The custom made bedding included the richest selection of fabrics, colors and textures, including a jaguar print chenille embroidered with gold damask and throw pillows made from silks, velvets and jacquards using gorgeous brush fringe, tassels and covered buttons. I was so relaxed, it was hard to leave this peaceful and luxurious setting.

The owner’s agree. They are grateful to have found a Designer that was up for their extensive project. After having put their faith and trust in her, their comments summed it up perfectly: "We love it so much now we never want to leave!" These are words that would make any Designer glow with pride. For my part, I took a deep sigh to catch my breath and wondered if I’d ever see a transformation such as this that truly took my breath away.

Design House: Yearley Interiors

Photography: Brent Haywood Photography

Faux finishes: Marcelino European finishes

James Scrivano Designs

Upholstery, drapery, bedding: Andrew Morgan custom workroom

Fabrics: Jab, Pindler and Pindler, Kravet, Stroheim and Romann, Fabricut and Highland Court

Mirror work: Roderick Treece

Custom Art Framing: Once Upon a Frame